Take Five
Etiquetas: jazz
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"Take Five" is a classic jazz piece first recorded by the Dave Brubeck Quartet and released on its 1959 album Time Out, although the single itself was released two years later. Composed by Paul Desmond, the group's saxophonist, it became famous for its distinctive, catchy saxophone melody and use of quintuple time, from which the piece got its name. While Take Five was not the first jazz composition to use this meter, it was the first of United States mainstream significance, becoming a hit on the radio at a time when rock music was in fashion. It is also known for the solo by drummer Joe Morello.
"Take eleven" terá dito a ministra da saúde para Luís Pisco para pôr termo à recente crise da MCSP.
Depois de ter encaixado o novo pacote de assessores, Luís Pisco terá pedido a Ana Jorge "One more" (Constantino Sakellarides).
Quanto a mim, Sakellarides devia recusar. Ou não seja ele a principal reserva para Ministro da Saúde depois do desfecho das eleições de 2009.
Uma grande escolha do Xavier.
Sugere-se que outros colaboradores da saudesa proponham as suas faixas favoritas.
Dave Brubeck's defining masterpiece, Time Out is one of the most rhythmically innovative albums in jazz history, the first to consciously explore time signatures outside of the standard 4/4 beat or 3/4 waltz time. It was a risky move — Brubeck's record company wasn't keen on releasing such an arty project, and many critics initially roasted him for tampering with jazz's rhythmic foundation. But for once, public taste was more advanced than that of the critics. Buoyed by a hit single in altoist Paul Desmond's ubiquitous "Take Five," Time Out became an unexpectedly huge success, and still ranks as one of the most popular jazz albums ever. That's a testament to Brubeck and Desmond's abilities as composers, because Time Out is full of challenges both subtle and overt — it's just that they're not jarring. Brubeck's classic "Blue Rondo à la Turk" blends jazz with classical form and Turkish folk rhythms, while "Take Five," despite its overexposure, really is a masterpiece; listen to how well Desmond's solo phrasing fits the 5/4 meter, and how much Joe Morello's drum solo bends time without getting lost.
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